You Tube Digital Ethnography from the Mensch (M Wesch)
11 08 2008Comments : Leave a Comment »
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Digital Humanities: Past, Present, Future
11 08 2008Digital Humanities: Past, Present, Future
A one-day symposium presented by the Centre for Cultural Research at the University of Western Sydney
10am-4pm, Tuesday 2 September 2008
The Gallery, Female Orphan School (building EZ), Parramatta campus, UWS
Program:
Professor Willard McCarty, Kings College, London, ‘Stepping off the edge of the world or into it: The Dictionary of Words in the Wild as research?’
Dr Paul Arthur, Australia Research Institute, Curtin University of Technology, ’Historical GIS: Showcasing Western Australia’s Past, Present and Future’
Professor Ien Ang and Dr Nayantara Pothen, Centre for Cultural Research, ‘diverCities: Challenges of doing a digital humanities project’
Associate Professor Andrew Murphie, School of English, Media and Performing Arts, University of New South Wales, ’Open? Access? Publishing?: a new world for humanities publishing is a new world for the humanities’
Dr John Byron, The Australian Academy of the Humanities, ‘Roadmaps and beltways: Digital humanities policy developments’
Discussion: The Possible Futures of Digital Humanities.
Tea/coffee available from 9.30am, morning tea, lunch and refreshments provided. No cost for registration, but capacity is strictly limited so please RSVP to the convenor, Dr Elaine Lally, e.lally@uws.edu.au.
Parramatta Campus Map and Directions <http://www.uws.edu.au/about/locations/maps/parramattamap>http://www.uws.edu.au/about/locations/maps/parramattamap
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Mick Taussig discuses ethnography and Art at Sydney Biennale 18 June 2008
4 07 2008See this YouTube segment of Mick Taussig reflecting on presentations by artists who work with ethnographic issues during the Sydney Biennale, held on Cockatoo Island, Port Jackson.
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Humanities Links
29 05 2008http://www.princeton.edu/~mccarty/humanist/ — the Humanist email list
http://www.ehum.edu.au/ – Australian e-Humanities Gateway
http://www.apsr.edu.au/ — Australian Partnership for Sustainable
Repositories
http://www.ncris.dest.gov.au/ – National Collaborative Research
Infrastructure Strategy (see also
http://www.fibreculture.org/myspinach/fibreculture/2005-October/004706.h
tml, submission on Humanities disciplinary needs sent to the
subcommittee for Collaborative Research Infrastructure of the NCRIS
process in October 2005). A Roadmap was produced in February 2006 and is
currently being reviewed
(http://www.ncris.dest.gov.au/development_ffolder/roadmap_review_2008.ht
m).
http://www.eresearch.edu.au/ — eResearch Australia conference (29
September-1 October 2008, Melbourne)
http://www.ahrcict.rdg.ac.uk/ictmap/ — UK’s Arts and Humanities Research Council ICT map
http://www.ahds.ac.uk/ – UK Arts and Humanities Data Service (defunded
from April 2008 but still in operation for the present)
http://www.acls.org/programs/Default.aspx?id=644 — American Council for
Learned Societies Commission on Cyberinfrastructure (including the final
report of the Commission _Our Cultural Commonwealth_
(http://www.acls.org/uploadedFiles/Publications/Programs/Our_Cultural_Co
mmonwealth.pdf)
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Tatiana Pentes: Black Box project
27 04 2008PROJECT DESCRIPTION
Image: Digital collage JewelBOX, BLACKBOX by Tatiana Pentes 2008
“It is inscribed as on Pandora’s Box…do not open…passions…escape in all directions from a box that lies open…” from Bruno Latour’s “Opening Pandora’s Box”, in Science in Action: How To Follow Scientists & Engineers Through Society, Harvard University Press, Cambridge, Massachusetts, 1987, p1-17. Abstract
This work investigates and records the production of a digital media artwork blackBOX: Painting A Digital Picture of Documented Memory, generated through the media technologies of interactive multimedia, exploiting the creative potentials of digitally produced music, sound, image and text relationships in a disc based & online (Internet) environment. The artwork evolves from an imaginary electronic landscape that can be uniquely explored/ played in a non-sequential manner. The artwork/ game is a search for the protagonist Nina’s hybrid cultural identity. This is mirrored in the exploration of random, fragmentary and non-linear experiences designed for the player engaged with the artwork. The subjective intervention of the player/ participant in the electronic artwork is metaphoric of the improvisational tendencies that have evolved in the Greek Blues (Rembetika), Jazz, and Hindustani musical and performative dance forms. The protagonist Nina�s discovery of these musical forms reveal her cultural/ spiritual origins. As a musical composer arranges notes, melodies and harmonies, and sections of instruments, so too, the multimedia producer designs a ensemble of audio-visual fragments to be navigated. Dance also becomes a driving metaphor, analogous to the players movement in and through these passages of image/ sound/ text and as a movement between theories and ideas explored in the content of the program. The central concern is to playfully reverse, obscure, distort the look of the dominating/colonialist gaze, in the production of an interactive game and allow the girl to picture herself.
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Categories : digital ethnography


